Process of two unique projects
The artistry of two talented people!
The luthier Giannis Tsoulogiannis (www.Hijaz.gr) sent me today new photos from the unique mandolino-tzourado conversion process
The ebony fret-board has been placed and glued on top of the mandolin's extended neck.
The luthier has finalized the formation of the fret slots
The side white fillets have been placed on fret-board and the neck close to the sound-hole has been shaped.
On another note the hagiographer, Eva Miskou Varela ( eva.miskou.gt@gmail.com ), sent me today new photos, showcasing the final layers of egg tempera painting, and her unique process on re-creating an 1860 Virgin Mary icon.
The luthier Giannis Tsoulogiannis (www.Hijaz.gr) sent me today new photos from the unique mandolino-tzourado conversion process
The ebony fret-board has been placed and glued on top of the mandolin's extended neck.
The luthier has finalized the formation of the fret slots
The side white fillets have been placed on fret-board and the neck close to the sound-hole has been shaped.
Placement of natural sea-shell fret-marks.
On another note the hagiographer, Eva Miskou Varela ( eva.miskou.gt@gmail.com ), sent me today new photos, showcasing the final layers of egg tempera painting, and her unique process on re-creating an 1860 Virgin Mary icon.
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| Natural colored pigments |
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| Final layers of clothes |
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| First base layers of skin tones |
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| Final layers of skin tones |
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