Zozef's style decoration, following the Golden Ratio algorithm
Less is More!
The luthier , Giannis Tsoulogiannis sent me today a photograph from the completion of the unique pick guard decoration.
Faithful to my belief , -"a great bouzouki doesn't depend on the type/material of its decoration ",- I selected acrylic Celluloid for the pick-guard.
Only the sound hole and the fret inlays(tsampoukades) will be made by natural mother of pearl. The design of the pick-guard is being inspired by the 1950s Zozef's style decoration, following the Golden Ratio algorithm
The next days , the luthier will construct the sound-hole shape, using natural mother of pearl (white sea-shell)
Giannis, followed down to a T, the concept design of the pick-guard as you can easily see from the following photos.
The luthier , Giannis Tsoulogiannis sent me today a photograph from the completion of the unique pick guard decoration.
Faithful to my belief , -"a great bouzouki doesn't depend on the type/material of its decoration ",- I selected acrylic Celluloid for the pick-guard.
Only the sound hole and the fret inlays(tsampoukades) will be made by natural mother of pearl. The design of the pick-guard is being inspired by the 1950s Zozef's style decoration, following the Golden Ratio algorithm
The next days , the luthier will construct the sound-hole shape, using natural mother of pearl (white sea-shell)
Giannis, followed down to a T, the concept design of the pick-guard as you can easily see from the following photos.
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| Acrylic celluloid decoration. SDimis (C) 2017 All rights reserved No portion of the above artwork may be reproduced in any form, or by any means, without prior written permission from S.Dimis / Memories of the innocent age
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